Training Magazine Middle East

With a unique magazine concept being launched in the region, Team TMN sat down with Editor-in-Chief, Eva Khan, to discuss the finer details behind Training Magazine Middle East 

When is the launch of Training Magazine Middle East?
The Training Magazine Middle East website is launching next month, and will offer up-to-date articles, news and interviews for the training industry in the Middle East. The first issue of our digital magazine – Training Magazine Middle East – will be launching in August. The magazine will include exclusive articles, case studies, plus audio and video content not available on our website.

 Will the magazine be available as a print publication or exclusively online?
The magazine will be available to download, and readers will also have the opportunity to order a printed copy of the magazine.

What is the concept behind Training Magazine Middle East?
We found from our research that training is one of the biggest business sectors in the Middle East, yet there was no official publication servicing the sector. So, we decided to create a media-based platform to not only help training providers and trainers showcase their expertise, but also to help HR, training directors and training managers to make informed decisions about training and development for their organisations.

Who is the visionary behind the publication?
Both my husband and myself have worked in the training industry; my husband built and sold a very successful online training business in the UK a few years ago and we currently own an online training company.

As I was planning our move to Dubai I became aware of the huge marketplace for training in Dubai and the surrounding regions. I was surprised to find there was no hub or place where all those involved in training connected with one another, stayed up to date on trends or collaborated. I remember looking online for training events and a magazine that focused on this in the Middle East, and realising there wasn’t one, I started working on the magazine that evening.

What are the main features of the magazine?
We have regular monthly expert contributors from the Middle East who have not only experienced training in the region themselves, but continue to train and develop the workforce of some of the biggest and most successful companies in the Middle East.

We also feature exclusive case studies and interviews of high-profile figures in the training and development industry.

How will Training Magazine Middle East stand out in the publication market?
Firstly we will be the first and only publication dedicated to this market in the Middle East. We will also have the first fully interactive magazine in the region, and we will be running regular training webinars for our readers.

Will you be working with a dedicated editorial team, or are there opportunities for freelancers?
Currently we have a fully dedicated editorial team made up of some of the Middle East’s leading experts in training and development.

Will the magazine be made available freely or to members only?
Training Magazine Middle East will be freely available to download, and you can go to www.TrainingMagazine.ae to register for your free copy when we launch. 

How can PRs get involved?
We welcome all press releases which are newsworthy and of potential interest to our readers. They can be submitted to press@TrainingMagazine.ae.

Are there any advertising opportunities, and if so, how can you be reached?
Yes, we already have interest from advertisers in both the Middle East and the US. For advertising queries in our magazine, weekly newsletter, training supplier directory and website, contact Sohail Khan, Head of Business Development at sohail@trainingmagazine.ae.

Are there any future plans for Training Middle East Magazine once launched?
Yes, we are already planning Training Magazine Middle East events for 2015, including our first training conference and yearly awards ceremony.

 

For further information, contact Eva at editor@trainingmagazine.ae

 

 

Transformation MENA Roundtable

After the recent roundtable organised by TRACCS and The Holmes Report entitled ‘Transformation: The Communications Industry in the MENA Region today’, we catch up with Mohamed Al Ayed, President and CEO of TRACCS, to discuss the outcome of discussions and the conclusions drawn…

This roundtable was the first of its kind to occur in the UAE. When did it take place and where was it held?
The roundtable took place on May 29, 2014 at The Ritz-Carlton DIFC, Dubai.

Where did the concept of the roundtable originate?
The concept originated as a joint initiative between TRACCS, who are committed to investing in the development of the industry and exploring the direction it takes, and The Holmes Report, who has recognised the rapid growth and evolution of the industry in the MENA region in recent years. We thought the topic of ‘Transformation’ was very relevant, given a number of issues in the industry regarding the simultaneous fragmentation and integration of the media, the move from a service-driven to a strategy-driven approach, and the need to strike the right balance between respecting and reflecting local cultures and sensitivities as well as working in line with internationally accepted norms and tools.

How did the partnership with The Holmes Report come about?
TRACCS was the first and is still the only Middle East public relations company ranked among the top 250 public relations consultancies in the world on The Holmes Report Global Rankings, and we’ve been working with The Holmes Report for the past four years. We have been involved in a number of interesting projects with the Holmes Group over the years, most recently at the In2Summit 2014 in London in May, where I participated on a panel talking about “Tomorrow’s Talent”.

Who were the communications experts and senior executives involved in the roundtable?
The in-depth discussion was moderated by Paul Holmes, Founder of the Holmes Group, with the participation of Dr. Ahmed Bin Ali, Senior Vice President, Corporate Communications, and Official Spokesperson of Etisalat Group; Bassem Terkawi, Senior Director of Strategic Communications at TDIC; Erwin Bamps, Chief Operating Officer at Gulf Craft; and myself. The roundtable focused on key issues affecting the growth and sustainability of the public relations industry in the MENA region’s rapidly evolving business and cultural environment.

What key issues were focused on during the two-hour roundtable?
The two-hour roundtable covered a range of issues, including senior buy-in of PR in regional organisations, the need for measurement, meaningful engagement of stakeholders, the growing challenge of reporting in a fragmented and rapidly changing media environment, building and retaining talent, and ways in which a company’s geographical location in the Middle East furthers or hinders its global communications efforts.

What were some of the positive conclusions drawn from the roundtable regarding the communications industry?
One positive development highlighted was the universal acceptance that in-house PR departments and PR agencies no longer needed to prove their value to senior management, and that the function of PR was widely understood and increasingly taken seriously. Etisalat’s Dr. Ahmed Bin Ali emphasised that PR is “no longer an accessory to a business, it is a necessity that is paramount to creating the identity and vision of the organisation.” Bassem Terkawi from TDIC remarked that PR departments today are often approached for a “stamp of quality” and assurance of public approval for initiatives, in much the same way as legal departments are requested to review initiatives to protect the company from litigation.

What are the continuing drawbacks that the communications industry face in the region?
There was widespread agreement that more effective metrics to assess performance outcome and impact are needed, although there is weak will within the industry to introduce effective reporting parameters. Gulf Craft’s Erwin Bamps stated that the proliferation of media channels and opportunities for exposure meant that PR professionals find it harder to keep pace with client demands and prove the value of their work through multiple metrics. He added that companies are also finding it harder to analyse results. He underscored the importance of meaningful engagement as opposed to mass engagement. Paul Holmes backed his observations on the clear move from a “bombardment” form of communications to one that favored “creating connections”.

However, one of the major drawbacks is that measurement and reporting continues to be an issue, especially as more and more channels of communication gets utilised in the mix. Clients and PR professionals need to realise that ‘more’ does not always equate to ‘better’. You may be able to report and document a great deal of data, but if you are not utilising that data intelligently it serves no purpose.

Were suggestions made on how to assess performance outcomes and impact more effectively?
One of the suggestions, as discussed earlier, was to focus on quality rather than quantity. It’s about reaching out to the right set of influencers and gauging success on the right metrics. Actionable insights are much more important than reams of data.

How did the roundtable justify the claim that the PR industry has reached the ‘maturity’ phase in the transformation of the industry?
There are five critical phases in the transformation of any industry: realisation, understanding, growth, maturity and innovation.

We can look at it along three dimensions: Corporates have gone beyond the stage of realisation of the value of PR and are using it intelligently and effectively. Governments in the region have also widely recognised the importance, value and power of communications that are done right. And finally, homegrown talent in the region is now looking at PR as a long-term career prospective and no longer as a stepping stone to something else. This is a defining change in the development of the industry as we will now see more talented and invested individuals join great local PR practitioners in this region. They understand the culture and the business and that can only be good news for the industry as a whole.

What conclusions were drawn regarding social media and its future in the region?
All participants agreed that social media has resulted in a fundamental change to the entire communications landscape in terms of speed, approach and results. Erwin Bamps highlighted the issue of brand ownership in the age of social media, stating that at no time has it been more starkly evident that “a company does not own a brand, a brand exists in the public domain”.

Social media proliferation is changing the skills required to succeed in the communications business today. You need to be present everywhere in a relevant manner and understand how to exist and interact with your audiences on multiple platforms intelligently. In today’s changing communications landscape, PR professionals have three choices – adapt, migrate or become obsolete.

Paul Holmes said that today a PR practitioner is “expected to do everything and that is changing the core nature of the business and the skills required to succeed in it.”

One of the main issues in the communications industry today is finding talent that has the right skill set to deliver what is required in today’s communications landscape. As the landscape and tools needed to function in it evolve, PR practitioners today need to have the ability and interest to constantly develop their own skills in order that they may continue to deliver results.

What specific observations were made about how being geographically headquartered in the Middle East affects a company’s global messaging and perception?
With regard to this, the participants made a number of interesting observations. Gulf Craft touched on how earlier prejudices against the “Made in the Middle East” tag has in recent years changed on the back of Dubai’s successful PR efforts – according to Bamps, today “if you are from the UAE, you are the guy that preaches innovation”. Bassem Terkawi said that for a company like TDIC being tasked with developing internationally recognised museums such as the Louvre and Guggenheim in Abu Dhabi, the UAE’s position on a global stage has definitely helped accelerate communications, but has also put all efforts under intense global scrutiny. All the participants agreed that internationally there was a significant distinction between being a “Middle East” brand and a “UAE brand” and that an association with the UAE came with the expectation of surprising and over-delivering on all promises made.

What other initiatives are TRACCS undertaking to develop the communications industry in the region?
The ‘Transformation’ roundtable is one of several key initiatives being undertaken by TRACCS to develop the communications industry in the MENA region, following PR Forums organised by TRACCS in Saudi Arabia, Kuwait, Oman and Lebanon. Training and equipping Arab PR professionals with the tools they need to function in a globally competitive industry is one of our primary focus areas and also one of our biggest competitive advantages in a rapidly maturing industry.

We were recently awarded an In2Sabre Award for our Agency Employee Program ‘Driver’s Seat’ at the In2Summit 2014 held last month in London. We are committed to working closely with the educational sector over the next five years to train more local practitioners across the region, with the MENA-wide launch of our award-winning ‘Driver’s Seat’ program.

 

For further information, visit www.traccs.net 

En’Route Middle East magazine

Team TMN catch up with Aishah Yousef, Editor-in-Chief, En’Route Middle East, to get an insight into the newly launched UAE-based travel magazine En’Route Middle East…

When did the magazine launch?
The magazine publicly launched May 5, 2014, during the Arabia Travel Market Exhibition (ATM) in Dubai.

Explain the concept behind En’Route Middle East.
We at Ad Fusion Media wanted to produce a magazine for readers that showcased travelling from a real-life perspective. Several sections of the magazine are dedicated to personal travel experiences and the discoveries made by real people.

How did the idea come about?
The idea of En’Route Middle East came from a discussion between Ibrahim Obaid Al Naqbi, the CEO of Ad Fusion Media (and Publisher of En’Route Middle East Magazine) and myself. We were talking about how people are influenced by their experiences in worldwide travelling, and thought that producing a magazine which would allow people to enjoy and post their travel stories and adventures would be exciting for any reader.

How did you decide on design and what influenced this decision?
We got the initial design of the cover from our USA contributor, and it has taken inspiration from all the elements of nature, specifically the sea, mountains, sun and the sky. 

How will En’Route Middle East stand out from other travel publications in the region? It’s the first magazine that beholds a realistic and genuine approach to providing current events and travel advice to its readers, by finding travel stories and adventures of people from all walks of life. It will stand out as a magazine with a heart and a human touch. 

What are the main features of En’Route Middle East?
The magazine is broken down into the following: Editor’s Pick – A bold analysis of the Editor’s destination choice for the issue. Side Trip – An excursion incidental to a trip… this section brings out the best of tourism-worthy news of undiscovered places that any tourist could be interested in on a specific trip. Wanderlust – Tales of travels across the globe, with a focus on the UAE. Tasty Travels – Food and restaurant reviews. City Scenes – Rundown of the Metro… hotspots and places to wine, dine and unwind. Road Sign – Travel advice, facts and Q&A. Sweet Escape – Reviews of hotels, resorts and other accommodation options. Where to go Next – Your next tourist destination. Also included are sections called Tourism4U and ICONS, which feature iconic and inspirational personalities in the hospitality industry.

How can PRs get involved?
My inbox is open 24/7 (gm@theadfusion.com) to receive all newsworthy travel articles from anybody who thinks that our magazine is a worthy venue for their press releases.

Are there any advertising opportunities?
Yes, we are open to it.

Where will the magazine be available?
En’Route Middle East will be published quarterly with an initial circulation of 10,000, and will be distributed throughout luxury hotels, trade centres, leading airlines, travel agencies and various tourism partners. 

What can we expect to see in the future?
The second phase of the magazine is to increase our distribution copies and to produce a travel show under the name of En’ Route Middle East goes live, so watch this space!

 

For further information, visit www.enrouteonline.com

 

Middle East Event Show 2014

With the Middle East Event Show remodelling for 2014, Team TMN caught up with Exhibition Director Richard Brook, to find out what we can expect from the region’s most anticipated events industry exhibition…

When is the Middle East Event Show 2014, and where will it be held?
This year the Middle East Event Show will be taking place at the JW Marriott Marquis Dubai, and it will run from May 20 – 21, with the seventh annual Middle East EVENT Awards taking place on the evening of the May 21.

Tell us a bit about the concept behind the Middle East Event Show…
The Middle East’s event industry is ever expanding, basing its foundation on entertaining and bringing new and innovative concepts to the region to cater for the masses. With this in mind, this year we’ve decided to take the show and give it a whole new look, feel and focus. We’ve listened to what the industry has to say and have put together an event that focuses on knowledge sharing, education and networking. For the first time, the event will consist of six different, dynamic zones each addressing a specific business objective:

The Link offers a dedicated meeting space and is made up of meeting rooms, corporate hospitality and networking lounges. The dedicated areas can be used to not only showcase products, but to invite and host top clients for the afternoon.

The Showcase is the events main floor space, where visitors can come and see an impressive list of exhibiting companies showcasing their products and services. This year we have a wide range of industry sectors represented such as venues, technology providers, AV/equipment rental, as well as entertainment and event agencies.

The Know encompasses our conference programmes, and has been rebranded this year for the first time as MKTG Live. It provides marketing professionals with the platform to learn, deliberate and debate amongst the most influential industry leaders.

The Deck is a dedicated outdoor space, and something that we are introducing for the first time ever. With so many events in the UAE happening outside during the cooler months, we thought it made sense to offer the industry somewhere they could promote their products in the environment that they’re designed to be used in. The products being showcased on The Deck will vary from outdoor furniture and temporary structures to the truly wild n’ wacky. Definitely one to watch.

The Hub and EVENT Central is a Middle East Event Show take on ‘mingling with the industry’. It is a fully operational restaurant where the industry can take a break, grab a bit to eat and some drinks, network with industry leaders and work on building further connections (and ultimately solid business leads) with fellow industry peers.

How does the event differ from other event-industry related exhibitions in the region?
The Middle East Event Show is one-of-a-kind in the MENA region. There are other shows that focus on meetings, and meeting space, but the Middle East Event Show is the only one dedicated to Event Management, AV Rentals, Event Rentals, Event Technology and Catering Solutions, among others.

This will be the first time the Middle East Event Show is held in the JW Marriot Marquis. What was the reason behind the move?
The show was previously held at the Dubai World Trade Centre. We felt that holding it in a space that is not only trade focused, but has a trade feel to it, did not work with the essence of the show. The decision to move it to the JW Marriott Marquis allows us to be more flexible with the way that we connect our visitors with the product and service suppliers that they want to meet. At the end of the day it is not an exhibition, it’s an event created solely for the event industry, and not only will people be able to see products and services in action, the move means that they can also benefit from expanded content sessions and informal networking.

What can we expect from MKTG Live?
MKTG Live’s digital marketing conference, DIGICONF, will have a heavy focus on social media this year, and also deliberate on the trends expected to pop-up throughout 2014. It will also cover a wide range of topics from content and cross-channel marketing, to CRM and gamification.

The conference is set to welcome some of the region’s most prominent industry experts, such as Nicolaas Langereis, Director Social Media, MENA, Starcom Media Vest; Ibrahim Ahmed Elbadawi, Managing Director, Exantium and Former Senior eGovernment & Social Media Consultant, e-Government; and Tom Burrell, Head of Social, CRM & Analytics, LBi MENA.

Another new feature to take the stage at this year’s MKTG Live is the Digital Marketing Training Course. Allister Frost, Founder of Wild Orange Media and former Head of Digital Marketing Strategy at Microsoft, is known for his high energy, visually impactful talks and presentations. He will lead a concentrated two-day course that will focus on digital marketing knowledge and skills. The course covers a broad range of topic areas from how to develop your overarching strategy to hands-on implementation techniques for business success.

What can you tell us about the Middle East EVENT Awards 2014?
Hosted this year by Phil Jupitus of Never Mind the Buzzcocks (a popular UK panel show), the awards will take place at the JW Marriot Marquis.

The awards are our way of giving back to the industry. The deadline for nominations has actually just passed and we received a record amount of submissions this year for the 20 categories, each designed to showcase the diversity and excellence of the events and suppliers operating in the Middle East’s event industry. The categories range from Best Exhibition – Trade or Consumer, Best Events Venue, Best Meeting or Conference, Best Festival to Employer of the Year, Young Achiever and Outstanding Contribution to the Middle East Event Industry. As you can see we try to cover all aspects of the event industry to ensure that everyone gets a fair chance to be rewarded for their efforts.

We have also introduced a new category this year – Outstanding Brand Activation Event. This award is designed to recognise an outstanding brand activation event that created effective touch-points between the brand and consumers.

How can we attend the Middle East Event Show 2014?
The event is free to attend and is open to the public. Visitor pre-registration is open and can be found at – www.me-eventshow.com/register

What do you think the future holds for the events industry in the region?
With EXPO 2020 firmly in sight the regions event industry is going to be in the spotlight. Suppliers of products and services will be challenged to push the boundaries to deliver some of the most spectacular and successful events in the world! The Middle East Event Show is here to help – introducing local and international suppliers with the buyers that need to impress.

 

For further information, visit www.me-eventshow.com

The Feedie app

Team TMN caught up with Victor Knaap, CEO of Media Monks – innovators behind the revolutionary Feedie app – to discuss the company’s exciting new partnership with Media One Hotel, Dubai…

Where did the concept for the Feedie app originate?
The Feedie concept is the brainchild of The Lunchbox Fund founder Topaz Page-Green, and creative agency Tribal Worldwide in New York. The Lunchbox Fund (www.thelunchboxfund.org) is a non-profit organisation dedicated to providing a daily meal for orphaned and vulnerable school children in South Africa. The app concept uses existing foodie behaviour and current technology, inspiring food lovers to leverage their passion for sharing photos of food to share actual food with those in need.

How does the Feedie app work?
Everyone eating out in Dubai can now download the free Feedie app on their iPhone (an Android version will be launched in April). Feedie users or “Feedies” can locate participating restaurants using the app’s map feature and are easily able to make an instant donation to the fund by simply snapping a photo of their meal and posting via the Feedie app. The app has additional features, including the ability for Feedies to share their favourite restaurants and photos with other Feedie users, and can choose to also share on Facebook, Google Plus, Twitter and Foursquare.

Tell us a bit about Media One’s partnership with Feedie.
We are excited for Media One Hotel to be part of this great initiative, and looking forward to seeing many Media One food photos transformed into daily donations for hungry school kids. We hope that many of the customers will get behind The Lunchbox Fund and take food photographs whenever they visit the hotel.

Media One is the first venue in the UAE to partner with Feedie – how did this relationship develop?
Media Monks was a guest speaker at Dubai Lynx, the International Festival of Creativity 2014. Our session titled “Interaction with Emotion: Telling Tales with Technology” showcased perspectives on the future of digital storytelling; the line between the two camps of technological innovation and emotional engagement. One of the highlights of our seminar was the concept of Feedies created with advertising agency Tribal Worldwide in New York. Because Dubai Lynx is a place where creative minds meet each year, we were thrilled to launch this idea at the Festival. Media One Hotel, being a hub for festival representatives, was a prime location to partner with. The hotel management and staff have done a great job supporting Feedie’s Dubai launch and turned it into a great success.

How will the Feedie app be promoted within the hotel?
It will be promoted through social media, a tent card in each outlet, bill folders, the Media One Hotel website, posters, TV screens, and of course staff will inform and encourage guests to download the Feedie app.

What makes the Feedie app such a novel approach to encouraging charitable work?
Before Feedie, there were no foodie apps using their influence for the good of others. The Lunchbox Fund is the first to utilise this powerful sub-culture and harness its energy productively, allowing foodies a one-of-a-kind opportunity to share their food – literally. Feedie allows users to extend food beyond taste, texture and Instagrammability, and it is amazing that such a simple app has already generated over 12million meals in South Africa. While the Feedie app gives food lovers a chance to use their passion for good, we see it as a perfect example of the growing trend in digital where the latest technology influences people’s lives.

Why will the app appeal to existing ‘foodies’ in Dubai?
Foodies around the world share the same love for taking snapshots of their food, and it’s a digital behaviour trend that has taken over social media channels, such as Instagram. The Feedie app taps into this trend, and it’s a universal idea that translates well in any geographical location. Looking at the popularity of dining out in Dubai we are expecting all foodies here to turn into food philanthropists very soon.

Do you have any plans to expand in the Middle East in the future?
The Feedie concept first launched in October 2013 at The Lunchbox Fund’s annual gala in New York, featuring co-chairs Mario Batali, Liv Tyler, Casey Affleck and Maggie Gyllenhaal. We have since launched it in Los Angeles, and Dubai. It’s barely the beginning of a longer journey supporting the Lunchbox Fund, as we plan to bring this concept to as many cities as possible. Stay tuned for the upcoming Feedie launch near you.

For further enquiries relating to the Feedie app and Media One partnership, contact Sally Meech at sally@mediaonehotel.com / +971 (0)4 427 1000

The Feedie app

Team TMN caught up with Victor Knaap, CEO of Media Monks – innovators behind the revolutionary Feedie app – to discuss the company’s exciting new partnership with Media One Hotel, Dubai…

Where did the concept for the Feedie app originate?
The Feedie concept is the brainchild of The Lunchbox Fund founder Topaz Page-Green, and creative agency Tribal Worldwide in New York. The Lunchbox Fund (www.thelunchboxfund.org) is a non-profit organisation dedicated to providing a daily meal for orphaned and vulnerable school children in South Africa. The app concept uses existing foodie behaviour and current technology, inspiring food lovers to leverage their passion for sharing photos of food to share actual food with those in need.

How does the Feedie app work?
Everyone eating out in Dubai can now download the free Feedie app on their iPhone (an Android version will be launched in April). Feedie users or “Feedies” can locate participating restaurants using the app’s map feature and are easily able to make an instant donation to the fund by simply snapping a photo of their meal and posting via the Feedie app. The app has additional features, including the ability for Feedies to share their favourite restaurants and photos with other Feedie users, and can choose to also share on Facebook, Google Plus, Twitter and Foursquare.

Tell us a bit about Media One’s partnership with Feedie.
We are excited for Media One Hotel to be part of this great initiative, and looking forward to seeing many Media One food photos transformed into daily donations for hungry school kids. We hope that many of the customers will get behind The Lunchbox Fund and take food photographs whenever they visit the hotel.

Media One is the first venue in the UAE to partner with Feedie – how did this relationship develop?
Media Monks was a guest speaker at Dubai Lynx, the International Festival of Creativity 2014. Our session titled “Interaction with Emotion: Telling Tales with Technology” showcased perspectives on the future of digital storytelling; the line between the two camps of technological innovation and emotional engagement. One of the highlights of our seminar was the concept of Feedies created with advertising agency Tribal Worldwide in New York. Because Dubai Lynx is a place where creative minds meet each year, we were thrilled to launch this idea at the Festival. Media One Hotel, being a hub for festival representatives, was a prime location to partner with. The hotel management and staff have done a great job supporting Feedie’s Dubai launch and turned it into a great success.

How will the Feedie app be promoted within the hotel?
It will be promoted through social media, a tent card in each outlet, bill folders, the Media One Hotel website, posters, TV screens, and of course staff will inform and encourage guests to download the Feedie app.

What makes the Feedie app such a novel approach to encouraging charitable work?
Before Feedie, there were no foodie apps using their influence for the good of others. The Lunchbox Fund is the first to utilise this powerful sub-culture and harness its energy productively, allowing foodies a one-of-a-kind opportunity to share their food – literally. Feedie allows users to extend food beyond taste, texture and Instagrammability, and it is amazing that such a simple app has already generated over 12million meals in South Africa. While the Feedie app gives food lovers a chance to use their passion for good, we see it as a perfect example of the growing trend in digital where the latest technology influences people’s lives.

Why will the app appeal to existing ‘foodies’ in Dubai?
Foodies around the world share the same love for taking snapshots of their food, and it’s a digital behaviour trend that has taken over social media channels, such as Instagram. The Feedie app taps into this trend, and it’s a universal idea that translates well in any geographical location. Looking at the popularity of dining out in Dubai we are expecting all foodies here to turn into food philanthropists very soon.

Do you have any plans to expand in the Middle East in the future?
The Feedie concept first launched in October 2013 at The Lunchbox Fund’s annual gala in New York, featuring co-chairs Mario Batali, Liv Tyler, Casey Affleck and Maggie Gyllenhaal. We have since launched it in Los Angeles, and Dubai. It’s barely the beginning of a longer journey supporting the Lunchbox Fund, as we plan to bring this concept to as many cities as possible. Stay tuned for the upcoming Feedie launch near you.

For further enquiries relating to the Feedie app and Media One partnership, contact Sally Meech at sally@mediaonehotel.com / +971 (0)4 427 1000

Transform Awards MENA

With the inaugural Transform Awards MENA set to launch this June, Team TMN caught up with Andrew Thomas, Founder of Transform and Managing Director of Cravenhill Publishing, to find out what’s in store…

When is Transform Awards MENA, and where will it be held?
The Transform Awards MENA will take place on the evening of June 2. It will be preceded by a daytime conference that will focus on change and brand transformation topics, and both events will take place at the JW Marriot, Dubai.

Tell us a bit about the Transform Awards Programme…
The Transform Awards program exists to recognise and celebrate excellence in rebranding, repositioning and brand transformation. It has been going for five years, and has become the benchmark for rebranding. Most brand agencies now see it as the must-win for inclusion in their ‘creds’ documents, and Brand and Marketing Directors look for evidence of a Transform win when selecting their agencies.

The European Transform Awards has been held exclusively in London until now, so why expand to the Middle East?
As the Transform Awards has grown it has attracted a greater number of international entrants, and a European judging panel finds it challenging to understand the cultural nuances of entries from non-European markets. At the same time, there has been tremendous growth in understanding the importance of brands in the region. Therefore, it seems a logical progression to launch the event in the Middle East. The entries that we’ve seen so far certainly confirm that it was the right thing to do.

Why will Transform Awards MENA be such a prestigious event for the region?
We’ve seen some great rebranding projects from Middle East and North African agencies and in-house teams. Up until now there hasn’t been anything that truly recognises the best-in-class work produced. The Transform Awards will change that – it will celebrate and benchmark the work that those agencies are producing.

Why will agencies in the Middle East and North Africa want to get involved?
Rebranding projects have always given agencies an opportunity to work closely with the senior management of organisations, as well as combine and showcase strategic and creative skills. The Transform Awards recognises those skills and rewards them. In turn, the attainment of a Transform Award provides reassurance that a client’s decision to choose an agency is the right one. Oh, and although the work is the most important thing, the awards night is also a great opportunity for all those involved in rebranding and brand management to come together and have a great evening.

How can agencies get involved, and when is the closing date for submission?
All of the entry details can be found at www.transformawards.com. The regular closing date for entries is Friday, March 15, although there will be a one-week extension for companies who register interest prior to the closing date.

Can you give us some details about the awards/categories themselves?
The Transform Awards focuses on four key areas – content, process, strategy and type. So examples include best brand evolution, best implementation of a rebrand, best creative strategy, and so on. In addition, while brand goes beyond a logo, we recognise that for some companies the focus is on design and creativity and so we also reward companies for the best visual identity within their sector.

Who will be judging the entries for Transform Awards MENA?
We are honored, and frankly flattered, to have some really bright people judge the event. The first ten have been announced, and include Basil Habib Al-Arrayed, the Head of Communications for Bahrain’s Telecom regulator; Lewis Naim, Head of Marketing and Brand Management for Dubai Airports; Stephen McCallion, Global Head of Marketing Communications for TAQA (the Abu Dhabi National Energy Company) and Syed Abdul Karim Tanveer, Mobily’s Head of Brand Experience. It’s almost a disservice not to mention them all, as they are all so knowledgeable in their field.

How do you think Transform Awards MENA will develop in the future?
We’re delighted at how brand and advertising agencies have reacted to the announcement of the Transform Awards MENA, and looking at the entries we’ve already received, there seems to be a real feel and passion for the importance of brand and the intangible asset. If this continues to increase at the same pace that it has done, the Transform Awards can only grow in stature and relevance.

For further information, visit www.transformawards.com

Transform Awards MENA

With the inaugural Transform Awards MENA set to launch this June, Team TMN caught up with Andrew Thomas, Founder of Transform and Managing Director of Cravenhill Publishing, to find out what’s in store…

When is Transform Awards MENA, and where will it be held?
The Transform Awards MENA will take place on the evening of June 2. It will be preceded by a daytime conference that will focus on change and brand transformation topics, and both events will take place at the JW Marriot, Dubai.

Tell us a bit about the Transform Awards Programme…
The Transform Awards program exists to recognise and celebrate excellence in rebranding, repositioning and brand transformation. It has been going for five years, and has become the benchmark for rebranding. Most brand agencies now see it as the must-win for inclusion in their ‘creds’ documents, and Brand and Marketing Directors look for evidence of a Transform win when selecting their agencies.

The European Transform Awards has been held exclusively in London until now, so why expand to the Middle East?
As the Transform Awards has grown it has attracted a greater number of international entrants, and a European judging panel finds it challenging to understand the cultural nuances of entries from non-European markets. At the same time, there has been tremendous growth in understanding the importance of brands in the region. Therefore, it seems a logical progression to launch the event in the Middle East. The entries that we’ve seen so far certainly confirm that it was the right thing to do.

Why will Transform Awards MENA be such a prestigious event for the region?
We’ve seen some great rebranding projects from Middle East and North African agencies and in-house teams. Up until now there hasn’t been anything that truly recognises the best-in-class work produced. The Transform Awards will change that – it will celebrate and benchmark the work that those agencies are producing.

Why will agencies in the Middle East and North Africa want to get involved?
Rebranding projects have always given agencies an opportunity to work closely with the senior management of organisations, as well as combine and showcase strategic and creative skills. The Transform Awards recognises those skills and rewards them. In turn, the attainment of a Transform Award provides reassurance that a client’s decision to choose an agency is the right one. Oh, and although the work is the most important thing, the awards night is also a great opportunity for all those involved in rebranding and brand management to come together and have a great evening.

How can agencies get involved, and when is the closing date for submission?
All of the entry details can be found at www.transformawards.com. The regular closing date for entries is Friday, March 15, although there will be a one-week extension for companies who register interest prior to the closing date.

Can you give us some details about the awards/categories themselves?
The Transform Awards focuses on four key areas – content, process, strategy and type. So examples include best brand evolution, best implementation of a rebrand, best creative strategy, and so on. In addition, while brand goes beyond a logo, we recognise that for some companies the focus is on design and creativity and so we also reward companies for the best visual identity within their sector.

Who will be judging the entries for Transform Awards MENA?
We are honored, and frankly flattered, to have some really bright people judge the event. The first ten have been announced, and include Basil Habib Al-Arrayed, the Head of Communications for Bahrain’s Telecom regulator; Lewis Naim, Head of Marketing and Brand Management for Dubai Airports; Stephen McCallion, Global Head of Marketing Communications for TAQA (the Abu Dhabi National Energy Company) and Syed Abdul Karim Tanveer, Mobily’s Head of Brand Experience. It’s almost a disservice not to mention them all, as they are all so knowledgeable in their field.

How do you think Transform Awards MENA will develop in the future?
We’re delighted at how brand and advertising agencies have reacted to the announcement of the Transform Awards MENA, and looking at the entries we’ve already received, there seems to be a real feel and passion for the importance of brand and the intangible asset. If this continues to increase at the same pace that it has done, the Transform Awards can only grow in stature and relevance.

For further information, visit www.transformawards.com

INTERGALACTIC$ exhibition

Team TMN caught up with Dubai-based artist, Jim Wheat, to find out what’s in store for his upcoming INTERGALACTIC$ exhibition, that launches at Media One Hotel on March 2, 2014… 

Last year’s exhibition caused quite a stir by addressing day-to-day experiences in Dubai, as well as questioning what money means to people. Can we expect something similar with INTERGALACTIC$?
INTERGALACTIC$ is more of a celebration of the UAE’s achievements, such as the Khalifa Sat project to send a rocket into space in 2017. One piece that is an example of these achievements, celebrates the Dubai 2020 Expo bid alongside a retro 2000 A.D. annual, 20 pence pieces from the U.K, and an original 1980 VIC 20 computer.

Can you give us a hint of what will be included in the new collection?
The collection largely includes science fiction and technology, and how they have all been affected and challenged by commercialisation. I aim to reveal elements of my personal journey from a world where little was known of technology or space travel, to today, where technology has made the dreams of yesteryear a reality.

The influence of the dollar remains prevalent after the success of your last exhibition ‘The Money Collection’ in 2013 – what was the inspiration for your new collection?
The inspiration for my new collection came from an exploration into the influences I had growing up, from Star Wars and Star Trek, to my first gaming experience on the Atari 2600 and owning my first computer – a ZX spectrum, 48 k no less. I hope it speaks to a lot of people about the ‘throw-away’ society we live in, but will also bring some nostalgic memories whilst showcasing the latest technology.

What crowd are you expecting to attract?
From tech enthusiasts to nostalgic expatriates, those who work in and around Media City to tourists passing through Dubai, as well as families at weekends, everyone is welcome.

What do you hope that people will take away from the exhibition?
Putting together collectable items from the 1970s and 80s really hit home to me about how times and technology have changed – what astounded us a decade or two ago is taken for granted now. Art is all about getting a reaction, and hopefully inspiring others to follow their passion.

Apart from viewing the collection, what else can we expect from the INTERGALACTIC$ exhibition this year?
For one thing, there is a chance of winning up to $64,000 of art in prizes. Hand-embellished unique variations of the 28 original art works on display are up for grabs, including the masterpiece of the original ‘UAE $pace Raiders’ (valued at US $20,000), featuring Alienware gaming software (valued at US $8,000) which someone will win for $1!

Augmented reality will also feature strongly to add an interactive digital element to the exhibition and form part of the competition linking each piece with a clue. A sensory Oud-based experience by Dollarsandart partners, Fragrance Du Bois, will also feature – another first for an art exhibition in the region.

This is the second time you have exhibited at Dubai Media City’s Media One Hotel. How did this partnership develop?
It was down to a chance meeting at a Facebook social media course at International House, Dubai. I was introduced to Sally Meech, Director of Marketing and Communication at Media One Hotel, and two days later we had a coffee in Café M; four weeks later we opened The Dubai Dollar Project 2013.

With every piece of Dollarsandart sold, a donation is made to Joining Jack, a charity working to find a cure for Duchenne Muscular Dystrophy. Do you feel this shows how art should go beyond unappreciated consumption?
Yes I think it definitely helps, and supporting GCC charities such as Gulf4Good enables me to give back to Dubai. This charity aspect gives Dollarsandart more of a purpose and makes it all the more rewarding when works are sold at auction.

Do you have any tips for aspiring local artists?
To enjoy the artistic process, and express yourself with your heart without worrying about what others might think. Believe in your own ability and accept that every day is a learning opportunity from which to grow. Working with traditional local media and embracing social media are powerful forms of validation in the early days, both of which I’m grateful for.

Do you have any plans to expand within the Middle East in the future?
Yes, I’m very open to holding a Dollarsandart exhibition elsewhere. I’m in the process of learning more about the various sands in the region (no two grains are alike!

Are you working on anything else at the moment?
As well as creating new art pieces for private commissions and special occasions, I’ve been working on a number of collaborations for individuals and venues in Dubai and the UK. I am even creating a unique piece in collaboration with former WBO Heavyweight Boxing Champion, David Haye, to mark the opening of the sports star’s new gym in Downtown Dubai. I’m also planning The Dubai Dollar Project 2015 – $UPERHEROE$, which I’m looking forward to.

 

For further information, visit http://www.dollarsandart.com/

Noon Art Boutique Hotel Apartments

As Dubai’s latest hotel prepares for launch, Team TMN caught up Managing Director, Rasha Al Mutawa to find out what’s in store…

The grand launch of Noon Art Boutique Hotel Apartments is set for February 10, 2014. What can we expect from Dubai’s newest hotel?
We are extremely excited for the launch of Dubai’s first completely art-inspired hotel, as it’s the first of its kind in the UAE. It has been bought to life by three Arabic artists; Dr. Najat Meky, a recognised Emirati female artist, Mr. Ali Hassan, a resident of Qatar and Mr. Khaled Ben Simane, a Tunisian national. All three artists are not only contemporary painters, but also highly skilled in sculpture and ceramics.

Where is Noon Art Boutique Hotel Apartments located?
It’s in a very central location, which was important to us – Al Barsha. We wanted to make sure Noon was accessible from most places in Dubai like the Mall of the Emirates, Dubai Marina and Downtown Dubai.

What is the basic concept of the hotel?
The concept is ‘art of hospitality’ and the entire hotel is inspired by the art of Dr. Najat Meky, Mr. Ali Hassan and Mr. Khaled Ben Simane. It’s a refreshing concept that we hope will be a creative spot for like-minded people to come together and encapsulate the importance of art and culture in this ever-expanding city.

Where did the concept for Noon Art Boutique Hotel Apartments originate?
The concept came to life when founder Khalid Almutawa decided to combine his love for art with his real estate business. The idea was to create a space where people live in an artistic environment and leave with a full understanding of the art.

The hotel includes an art gallery. Will this be open to the public?
Noon Art Gallery is located on the first floor of the Hotel. It will be open to public visitors and home to a variety of artists. Noon Art Gallery also has a restaurant and café, which will allow customers to relax and experience their surroundings whilst enjoying international cuisine.

Tell us about the Noon Art Gallery.
A wide range of art will be featured on a regular basis along with exhibitions that will be hosted throughout the year. From the opening, there will be a rotation of different artists work in the gallery, to give guests a variety as well as art workshops and other art-related events.

What crowd are you expecting to attract?
We’re expecting to attract art lovers in the region and from around the world – we’ve experienced great interest from media in Dubai, the UK and South Africa. However, we are also aiming to spread the Arab art industry further and bring it to the attention of people who are not in the industry.

What makes Noon Art Boutique Hotel Apartments stand out ahead of Dubai’s vast hotel offerings?
It is the only hotel in the region that is completely art-inspired – there is artwork throughout the hotel from the lobby, suites and even the elevators. We have kept a similar theme throughout the hotel and each artist has three or four floors each. If you look carefully they’ve added their own artistic touch on each floor – in the cushions and curtain details, every piece of furniture, and even the lights.

Is this the company’s first launch in the UAE and is there any plan to expand the hotel concept in the future?
This is the first in the UAE and there are definite plans of expanding. We are already working on further projects, which will be revealed in the next 12 months.

 

For further enquiries relating to Noon Art Boutique Hotel Apartments, contact Chloe Geake at chloe@dpq.ae / +971 (0)50 913 0060