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In The Hot Seat – Tom Paye

Tom Paye, Editor at compareit4me.com, tells TMN about how he started his career in media and what he thinks about the industry in the Middle East…

Name: Tom Paye

Age: 28

From: United Kingdom

Current job title: Editor, compareit4me.com

When did you first arrive in Dubai?

About 21 years ago, when I was just a kid.

Where did you work prior?

I’ve only ever worked in Dubai since coming back from university in the UK. Before joining compareit4me.com, I was a freelance journalist and before that, I’d worked at some of the region’s major publishing houses, including ITP and CPI Media Group.

What were your first impressions of the media industry in the Middle East?

 I think the first thing I noticed about publishing here was just how well small teams can put together high quality titles. My first job here was as an intern and soon after a Staff writer, at a small editorial agency and that company is still going pretty strong, at the time, I was fresh out of university with no real-life experience and I had these grand ideas about working in a big newsroom full of journalists getting big scoops on the latest stories.

But when I turned up, we were just four writers and a designer in a small office! That sort of brought me back down to earth and I came to realise it’s possible to put together pretty good magazines with just a few solid team members. It was a bit of disillusionment, but the heads of the company really put a lot of effort into training me to not only write great stories but also to project manage multiple magazines. It was nothing like I expected but I wouldn’t change it for the world.

Has your opinion changed much?

Well, I continue to see great magazines produced by tiny teams, so not really. That being said, I’ve worked on weeklies and dailies since then and so I’ve been part of more traditional newsrooms too. I guess now I’m pretty much in awe of the breadth of print media in this region – there’s something to fill every niche and these titles are produced by teams ranging from just a few people in size to full-on publishing houses.

Tell us about your current role…

As Editor at compareit4me.com, it’s my job to pretty much handle all the written material that the company puts out. That includes creating relevant and high-quality press releases, guiding the executives on their written feature responses and looking after Your Money, the blog section of the website dedicated to personal finance. I also handle the company’s Twitter account, but that’s mostly because I’m on Twitter all day anyway.

What challenges do you face?

I think the biggest challenge is continuously coming up with relevant PR content that editors (and their readers) will find useful. Luckily, we enjoy really good relationships with the media here and our editor friends are always happy to provide us with a few pointers on the type of content they need from us.

I really subscribe to the view that, if you’re going to send something out to the press, it had better be worth reading. That means providing timely, relevant content that’s actually newsworthy not some small bit of company news that no one outside our office cares about. Keeping up that standard all the time is quite difficult. It can be so easy to just put out some inane announcement just to get something out there. I’m trying not to do that. And if any of my journalist friends are reading this and I don’t live up to the above, feel free to send me a snarky email!

How do you overcome writer’s block?

For me, the quickest remedy is to simply step away from my desk for 15 minutes, grab a coffee, have a look on Twitter and just mentally disconnect from the story. Nine times out of ten, I’ll come back to my desk with a fresh idea and that will help me get going again.

What’s the most rewarding part of your job?

Where to start! I love the range of stories that I cover – from car reviews to in-depth analysis on the finance industry. I also love the office atmosphere – people are always playing pranks on one another, skateboarding around the office, playing ping pong or just coming up with ridiculous games.

I think the most important thing from a long term job satisfaction point of view, is that the service is genuinely useful for people in the Middle East. We’re actually saving people money on their financial products – honestly, I’m not just saying that because I work here. I had someone come up to me at GITEX this year and she told me about how our mortgage comparison portal had helped her find a home loan and that she wouldn’t have found such a good mortgage without the service. It’s immense when you hear people explain that the company you work for has helped them achieve big life goals.

How would you rather be contacted at work?

No preferences, really – shoot me an email or give me a call.

What do you think of the media ethics in the UAE?

I don’t think that media ethics are very different here to anywhere else in the world. The majority of journalists and publishing houses I’ve come into contact with here are simply looking to get to the heart of a story and to then relay something informative and entertaining to their readers. Of course, you hear stories of bloggers or whoever trying to exchange coverage for freebies, but they stick out like a sore thumb on both sides of the media industry.

On the other side of it, I think we’ve all been in situations where a certain brand may be trying to buy good coverage with their advertising dollars. And to be honest, who wouldn’t be tempted to just allow it, given the struggles in the print industry? But again, I think that, these days, this is pretty uncommon – even publishers that might have indulged in this practice before now want to bring the reader’s trust back. And so they’re doing things like selling native advertising where the content is marked as sponsored. In my experience, journalists and publishers have been working hard to reconcile the coverage-advertising struggle and we’re starting to see a reasonably ethical balance come out of that.

What do you think of publishing houses in the UAE?

I think they do an incredibly tough job with dwindling resources, but that they are really important for the local economy. No big international title is going to cover the UAE in the detail that residents and business people here want, so it’s down to the local publishing houses to offer proper reporting, comments and analysis on what’s happening here.

Unfortunately, as we all know, ad spend on print titles is on the decline, so that has put the traditional publishing business model in jeopardy. There have been a couple of high-profile closures this year and that’s never good to see. That being said, there are publishing houses looking for new revenue streams and new business models, and from what I can see, this is starting to pick up some of the slack. Hopefully we’ll see more out of the box thinking that allows publishing houses to continue distributing high-quality regional content.

If you can change something about the media in the UAE what would it be?

Adding to the above, I think smarter media selling is needed to ensure the survival of the local media industry. Brands want to go through local media to reach targeted, local audiences, but the traditional advertising format simply doesn’t provide enough of a return on investment. The thing is, media companies here have these fantastic assets in the titles they carry and these can be incredibly valuable to advertisers. Advertisers and media companies just need to work out, between them, how to maximise that value without compromising the integrity of the media.

How would you describe yourself at work?

I’m pretty chilled, I guess. I turn up, get my work done and try to be part of the team. I like to think I’m pretty helpful – if anyone needs something doing, I like to put myself forward if I can help.

Describe yourself in five words…

Charming, good looking, super-smart, rich and none of the above.

What’s your most overused saying?

 Awesome.

Five things you can’t live without?

My iPhone, my MacBook, my Fiat 500, my dogs and my wife (to whom I’d say these are in no particular order!).

If you weren’t in your current role, what would you be doing?

I’d probably still be a struggling freelancer, working from home, taking the dogs for long walks and occasionally getting work done in between PlayStation breaks. I wonder why I struggled?

What’s your favourite form of media?

I love, love, love magazines. My wife is a magazine designer, so between us, we have hundreds of titles stacked up around the house. We actually did a clear out a few months ago and still ended up keeping boxes of magazines. If we’re out and about, and we see a magazine, we’ll pick it up and analyse it – its design, the quality of its paper, the copy and the brands advertising in it. There’s something so nice about a properly done magazine.

What advice would you offer to someone looking to start a career in the media industry in the UAE?

 I’d say be prepared to work really, really hard. When many of us started out six or seven years ago, the whole media revenue decline thing wasn’t being felt that much. Sure, we’ve all worked really hard to get to where we are, but now things are even tougher and organisations are a lot leaner, meaning everyone has to work that much more. If you’re not put off by that, then, for god’s sake, enjoy it. If you love creating things, there are few more rewarding jobs to be found anywhere in the world.

Five Minute Focus – Anwar Roma (Lights of Rome)

Team TMN chat with Matt Slater, Co-founder of Seven Media and Executive Producer of The Lights of Rome, to talk about the premier of Ali Khaled’s new documentary: Anwar Roma (Lights of Rome)…

What was it that stood out about this story that compelled you to make this documentary?

The 1990 World Cup resonated with many people from my generation, that are almost 40 years old now, as it was probably the first World Cup we watched as young kids. When the UAE qualified for the World Cup in 1989, it was one of the most important sporting moments in the country’s history and yet, there are very few people that know about it.

What makes this story so unique?

The UAE was only 19 years old when it qualified and at that time, was the smallest nation ever to qualify for the World Cup. It is a real underdog story and even though we all know the outcome, when watching the old footage in the film you still find yourself rooting for the UAE.

The film is also unique as it doesn’t only focus on football, but gives an insight into what the UAE was like at that time – which I know expats and international viewers will find fascinating.

Tell us how the collaboration with Image Nation came about?

Seven Media has been the retained PR agency for Image Nation for the past three years and has always enjoyed a close relationship with them. When the Director, Ali and I came up with the idea, we felt that it fits Image Nation’s mandate perfectly. Its documentary department strives to make films that are of importance to the Emirati culture and history which made them jump at the chance to create this film.

What were your most challenging moments while producing the film?

The archive footage was the hardest to source. The games were barely covered in the local press, so finding footage from the qualifying games was particularly hard for our team. Hana Makki, the film’s Producer from Image Nation, spent over a year and half sourcing the archive footage alone.

What was the reaction at the World Premiere at DOC NYC, New York?

We received an incredible reaction at DOC NYC – something we were slightly apprehensive about – being that it was an Arabic documentary, about the UAE and football! But it was very well received. We had audience members tell us how much they loved learning more about the UAE and its history – which is one of the reasons we made this film in the first place.

How do you think UAE nationals and residents will react to the film?

The story will definitely resonate with UAE nationals. This was an incredible moment in UAE history and something that should be celebrated. We also hope the day of the release, which is December 1, 2016 in time for UAE’s National day, will ignite patriotism around the film.

For expat residents who have recently moved here, the archive footage of the UAE from the 70s and 80s is fascinating. The film is not only entertaining, but you might learn a thing or two about the Emirates that you didn’t know before.

This is also a film about football at the end of the day and sport is one of those things that unite people around the world when you oversee language and cultural barriers and so we hope this film will reflect that.

How long did the creation of the documentary take, from conceptualisation to the very first premier?

Ali and I had our first chat about the idea just after the 2010 World Cup in South Africa. Image Nation then started production around two years ago and our team was still in the editing room the day before the premiere! Since the film is largely made up of archive footage, that’s what took the bulk of the work.

Do you plan on premiering the film in any other countries in the region?

There are no plans yet for regional screenings, following the film’s New York premiere and UAE release. There are a host of film festivals dedicated to sporting films which The Lights of Rome would be perfect for and so we hope it will be screened around the world. The film is a great opportunity to showcase not only this great moment in sporting history, but the UAE’s rich culture and history as well.

Where will the premier take place in the UAE and where will it be showing?

The premiere will be at Yas Mall, Abu Dhabi on December 1, 2016 and will hit selected theatres across the UAE including, Nation Towers, World Trade Center Mall, Dubai Mall, Derrfields Mall, Dalma Mall, Cineplex Grand Hyatt and City Centre Fujairah.

Arab Woman Awards UAE 2016 pays special tribute

The Arab Woman Awards UAE 2016 is set to take place on Saturday, December 10, 2016 in Sharjah in honour of the late Vice-chairperson of NAMA Women Advancement Establishment, Ameera BinKaram. The private event will include an exclusive video of Ameera as a special tribute from the establishment itself. The awards will also focus on raising public awareness of the significant achievements by Arab women and to provide young women with inspirational role models.

“Like everyone we were shocked and saddened by the sudden passing of Ameera BinKaram,” says Sue Holt, Executive Director, ITP Publishing. “Ameera was a previous Arab Woman Award winner, who then became the chair of our judges’ board. She was an amazing and passionate person, who celebrated the successes of women from across the region. It is with great pride that we are taking this year’s award ceremony to Sharjah as a sign of respect and to honour her significant contributions.”

Dubai Eye makes new appointment

Dubai-based radio station, Dubai Eye, part of Arabian Radio Network (ARN) has appointed Robbie Greenfield to the role of Presenter and Senior Producer of radio sports show, Sports Tonight. With over 13 years of publishing experience, Robbie most recently worked as Editor of Golf Digest Middle East, part of Motivate Publishing. In his new role he will host the Sports Tonight show from 7pm – 9pm every weekday, delivering live coverage across all the region’s major sporting events.

“Having worked on Dubai Eye‘s sports output on a freelance basis for the past few years, the opportunity to take a full-time role came at the perfect time,” says Robbie Greenfield. “I’m really excited to hopefully play a part in growing the Sports Tonight brand and bringing sport in the region to life for the station’s listeners.”

Hussein M. Dajani wins marketing leadership award

With over 15 years of marketing experience, Hussein M. Dajani, Chief Operating Officer, hug digital, has secured a position in the 50 Most Influential Digital Marketing Leaders at the awards ceremony that took place on November 24, 2016 in Mumbai. Hosted by the World Marketing Congress, the three-day award ceremony that commenced on November 23, 2016 includes awards for individuals and organisations across the fields of marketing, social media, public relations, broadcasting, publishing and advertising as well as corporate communications.

“I am ecstatic and humbled by this recognition,” says Hussein M. Dajani, Chief Operating Officer, hug digital. “I am delighted that all those years of hard work and passion that I spent challenging the status quo and pushing hug digital forward have led me to this honourable position. With every achievement, comes new challenges and this is just the beginning for me. I hope that I continue to exceed expectations and ensure that more people from our region get recognised for their hard work, passion, dedication and commitment to boost quantifiable digital marketing.”

New award at Dubai Lynx

The Dubai Lynx International Festival of Creativity has announced the launch of a new award category, The Innovation Award. The new award celebrates technological creativity and aims to support and promote the development of innovation across the industry. Ben Jones, former Chief Technology Officer, AKQA, has been elected as the Jury President for the new addition to Dubai Lynx. Entries for all award categories are open from November 24, 2016 with an ‘early bird’ rate until January 24, 2017. The final deadline for all entries is February 7, 2017.

“I can’t wait to be part of Dubai Lynx. I have always believed that the western world lives in isolation to the reality of greatness that comes from MENA and further afield. For me, innovation is the perfect blend of simplicity, thoughtfulness, naive excitement, timing and the ‘retrospective obvious’,” says Ben Jones, Jury President, Dubai Lynx International Festival of Creativity 2017. “It’s often in the new ways we communicate to the fresh business models that are created and quite often this is where the excitement lies and often without huge spend. These pillars shone through many of the entries from different categories at last year’s awards and I’m excited to see what entries come through this year.”