Bit of a stretch

With temperatures falling and not a hint of condensation in sight, it’s back to the beach for the masses. However the bikini and beach shorts shy Team TMN are resorting to emergency measures to shape-up after a summer of long working hours and less than no exercise. In a desperate bid to get body beautiful on the double, we fully embraced the invitation to trial some Pilates Reformer classes… and wondered, could this be the answer to our quick-fix body prayers?

What: Pilates Reformer

Where: Fitness 360, J3 Mall, Al Wasl Rd, Jumeirah 3, Dubai

When: Opening hours are from 6am to midnight, seven days a week

The promise: “With emphasis on correct postural alignment, Pilates Reformer sessions support the core while allowing the development of long, lean muscles without adding bulk. It enhances body and spatial awareness through mindful exercises.”

Did it deliver? Outfitted in the theme of the American film Grease, down to the sock-hop décor, the framed photographs of Olivia Newton-John and John Travolta, and the bright pink lipstick on reception, we were sold the minute we walked through the door. But don’t be fooled by welcoming décor; one glance at our energetic and intimidatingly fit instructor, Rica, told us stone thighs and firm buttocks means more work and less muscicals.

Tucked away behind the boxing ring, the warm lighting and oak floors of the pilates studio contrasted sharply to the six guillotines in the room. Fitness 360 uses metal reformers, and the first thing that Rica taught us was how to adjust the system to better fit our individual frames and resistance. Rica took us through the basics, using fun metaphors to keep us at ease and in form. “The proper way to do a crunch on the Reformer is to give a gorgeous man the eye,” she said. “Tilt your head up, and then to give him a nod, tucking in your chin. It’s also the proper way to play coy with a guy in a bar.”

The class continued to be lighthearted and fun, and Rica was attentive to our motions, providing insight about our individual bodily tendencies and the way that each motion worked on our muscles. She even allowed us some grunts and cries when we started to work those long neglected muscle groups.

The Verdict: With Team TMN aching from head-to-toe the following morning, the Pilates Reformer class at Fitness 360 certainly did its job – and reminded us that there is no quick-fix to getting body beautiful. It seems hard work coupled with a good instructor is key to getting in shape, and with the fun and lighthearted approach to fitness, we can definitely say we’ll be returning to Fitness 360 to reclaim our beach bodies.

 

Would you like Team TMN to review your event, latest launch or product? Email roadtested@the-media-network.com with full details, and we’ll be in touch to offer our verdict.

Night of the AdEaters

Founder of the world famous Cinematheque Jean Marie Boursicot gives Team TMN a little insight into the history and future plans for advert festival, “Night of the AdEaters”

All of the advertisements featured at the “Night of the AdEaters” are from your collection. How did you get started?

As a kid, I was fascinated by cinema. I was a regular at the movie theaters in the “5 Avenues” neighboring Marseilles, but at the age of 10, I saw my first ‘treasure’ – a 4m x 3m poster boasting the merits of a soft cheese made by the firm Gervais. After frequent visits to these film houses, the projectionist at Cine Madeline noticed me and gave me snippets of advertising film for companies such as Gervais ice cream and Krema candy. Of course, I wanted more of these, and I found myself raking through trash cans, but not just any trash cans. These were the trash cans of the film distributors. Little by little, I amassed these treasures and rapidly enriched a collection that combined my passion for posters, ads and the cinema. I never imagined that this childhood interest would one day turn into a career. On the advice of friends, I went to Paris and started working at Publicis, a French advertising agency, where I noticed that the advertising film was being thrown away. Not even the agencies kept them, so I started collecting them, and decided to show them for the first time in Paris in 1980.

The “Night of the AdEaters” has been touring the world for 33 years. Why did you choose to take this library of TV and cinema commercials around the world?

Actually, it was not a choice. Maintaining a cinematheque is a huge task: collecting new adverts; restoring old ones. I even had the very first commercial from 1898! There were thousands of spots. Keeping the collection requires passion, time, energy, and a lot of space to put all these reels and tapes. And, of course, I needed money! I created the Night of the AdEaters to keep this one-of-a-kind cinematheque alive, and it was and still is a way to pay the bills, and to share my passion for cinema and advertising at the same time.

How does the Cinematheque acquire new ads?

We are always in touch with hundreds of agencies around the world, as well as festivals. Every year we receive 15,000 to 25,000 new commercials for the Cinematheque, and some of them are selected for the “Night.”

Who curates the set for the “Night of the AdEaters?” How does he/she decide what to include?

It is a personal choice. This is my way of sharing a much more cinematic vision of advertising. The marketing aspect is overshadowed in favor of powerful images, humor, music, unexpected situation, and the like.

How many languages feature in your commercials?

There are around 40 languages in our commercials, in addition to some rare dialects.

You don’t use subtitles! Why do you think that you don’t need translations?

The “Night of the AdEaters” is all about emotions, and the messages are brief and dense. They can be understood by everyone. They transcend linguistic and cultural differences.

More than 100 cities sign on to your annual tours. How did you get Dubai on board?

Last April, Mohammed Qara’een from Kilograms Creative Tactics got in touch with us through our website AdEater.com. He had previously attended one of our shows in the Middle East, and described the “Night” as a breathtaking experience. Since then, everything has passed speedily and efficiently. I am now in Dubai for the first time.

Will you be broadcasting the festival on networks in the region?

I was not asked to do so, but it would be nice.

Why do you think people should go to the festival?

People will enjoy great moments of cinema with their friends. They will laugh a lot and watch exotic, surprising and beautiful adverts that reflect trends from different parts of the world. The festival is also a great source of inspiration for advertising professionals.

What are you hoping that people will take away from the festival?

Of course I hope they will have a great time, and for those who are not ad-addicts, I hope the “Night of the AdEaters” will convince them that advertising is not only about selling products, but offers moments of real cinema, and can evoke real emotions.

Can ad agencies in Dubai get involved with AdEaters?

Unfortunately, we didn’t receive a lot of commercials from Dubai, this year. I really hope that the “Night of the AdEaters” will encourage ad agencies to send their work to us, and to see how important it is to keep alive the memory of advertising. This is our main goal.

Where can ‘publivores’ get tickets?

Tickets to the “Night of the AdEaters” in Dubai are available through TimeOut Tickets and Platinum Tickets. For further information, call +971 (0)56 349 8212.

Do you have any plans to expand within the Middle East in the future?

We’ve already been to Kuwait, Syria, Oman, Saudi Arabia, Bahrain and Egypt, but I would love to organise annual “Nights” everywhere in the Middle East. This is the case in Lebanon, where the show has been organised for more than 10 years. We need to find the right partners who understand the interest of preserving the memory of advertising.

 

It’s time to engage through mobile media

While the UAE boasts a high number of smartphone users, very few use their phone for browsing and purchasing. It’s time to engage, says Abdullatif Alsayegh, CEO at Alsayegh Media.

“UAE brands need to shift from trying to make a one-time sale to creating an ongoing relationship via mobile”

The billion-dirham question is, despite having one of the highest rates of smartphone penetration in the world, why does the UAE lag behind when it comes to smartphone phone use? This is even more confounding when we consider that human beings are habitual creatures. Two prominent studies sponsored by Facebook and Nokia, respectively, show that we spend more time with our mobiles than with anyone or anything else. On average we are next to our mobiles 22 hours a day, and four out of five of us check our phones within 15 minutes of waking up. Given our dependence on mobile devices, why aren’t people using these mobiles to go online or engage with brands?

Due of the power of habit, people usually use the same apps every day, and new apps they try have typically been recommended by friends. Users ignore annoying banners, but don’t ignore notifications. Why? Because they are personally relevant. Contrary to what many advertisers think, mobile advertising is not just about banners or SMS’s. It’s about engagement and two-way interaction. Rather than waste millions of their budget competing for attention in a cluttered media landscape, companies should give consumers a reason to follow them and await updates and notifications.

An international example is Metro Trains in Melbourne, whose “Dumb Ways to Die” safety awareness video went viral, attracting countless consumers to download the app. “Dumb Ways to Die” wasn’t just soberly amusing or visually appealing – It took place in a familiar setting, had a clear message and implicated the consumer in its campaign for accountability. It was also dynamic. Similarly, UAE brands need to shift from trying to make a one-time sale to creating an ongoing relationship via mobile.

The more loved a brand is, the more talked about it is, and the more people will spend on it. Target their hearts and minds first, and their pockets will follow; because if there’s one thing worse than not having a customer, it’s having an irritated customer.

Most importantly, never introduce new ideas into the market until your own team is wildly passionate about it. It should give you goose bumps of enthusiasm. Because passion is contagious, and it will be passed on from one mobile user to another. The open secret is that the world’s best brands don’t clog people’s inboxes trying to get their attention. The best brands are the ones you love so much that you’ll spend all night in a queue to get your hands on them.

I have enormous faith in the UAE market, and I believe it’s only a matter of time before we claim our rightful place on the global stage of mobile Internet.

Can an apology make it all better?

On September 30, 2013, the head of a family-owned pasta giant, Guido Barilla, succumbed to public criticism of a comment he made the previous week, and issued a video apology. In the video, Barilla delicately referenced the highly publicised gaffe he made during an interview with Italian news agency, ANSA, and attempted to make amends with those he had offended. But can an apology adequately redress a PR blunder in this day and age? Can an apology make it all better?

 

“Yes” says Jeff Chertack, Regional Director, Corporate and Public Affairs, Memac Ogilvy PR MENA

JeffChertackSMALL“Anyone who’s ever apologised to a spouse by saying, “I’m sorry you feel that way” knows the reaction with which a misdirected apology can be greeted”

We’ve all had it instilled in us from an early age that when you do something wrong you should say, “I’m sorry,” and mean it. Somewhere between the playground and the boardroom, this ingrained instinct to own up and accept responsibility for mistakes often goes unheeded. Too often intervening factors, such as legal concerns, misplaced certitude, or, most often, an underestimation of the power of a disconcerted public, win out over an apology. The recent example of Barilla Chairman Guido Barilla shows however, that it’s not just an apology that matters; it’s when you say it and what you say. But if done correctly, and in the right circumstances, an apology can go a long way to setting the course for reputation recovery with customers or consumers.

Today’s consumers, investors and other stakeholders have come to expect more from companies and the executives who run them. An apology is only as good as its perceived authenticity. Anyone who’s ever apologised to a spouse by saying, “I’m sorry you feel that way” knows the reaction with which a misdirected apology can be greeted.

A sincere and humble apology, on the other hand, can be effective in diffusing a crisis. This is especially true in a case where there is responsibility to be taken in an operational issue. An apology that accepts accountability, and is delivered with humility and a pledge for action can actually improve the reputation of a company.

Barilla could have managed the situation more effectively had a humble apology come swiftly, and not seemingly in response to calls for boycotts and social media outrage drummed up by the LGBT community and equal rights advocates in Italy and around the world. In this particular case, the Chairman can’t apologise for his belief system, but should apologise for letting it impact his comments about his customers. Inviting your customers to stop using your product is a third rail of business, no matter the circumstance.

An apology doesn’t require a weepy admission of responsibility on an overstuffed couch during a nationally televised interview. Thanks to social media, executives have more opportunities than ever to get their message out, unfiltered and to the public. YouTube and social media, the very channels that are keeping executives on their toes, can also be the channels by which apologies are made and disseminated.

Of course, steering clear of hot-button political and social issues is the better way to avoid such scandals in the first place. Clear messaging and tough media training can decrease the foot-in-mouth impulse that makes an apology necessary.

In short, executives would do well to remember their parents’ advice, and either apologise when they make a mistake or just not open their their mouths in the first place.

Contact Jeff Chertack at jeff.chertack@ogilvy.com or follow him @JTack

 

“No” says Jonathan Macpherson, Senior Consultant and Regional Director of India, Middle East, Africa and Turkey, Hill & Knowlton Strategies

JonoSMALL“The public has become cynical. It has seen too many blunders and too many empty apologies for a simple ‘sorry’ to suffice”

Before the advent of a more connected world, when brands used to be less global and social media didn’t exist, Guido Barilla’s comments would perhaps have been limited to Italian media, thus narrowing the audience, and diminishing the scope of offense to his views. Back then, the issue could have blown over with a few letters sent to editors.

Today, that’s not the case. The world is too well connected. The public has become cynical. It has seen too many blunders and too many empty apologies for a simple ‘sorry’ to suffice. Large international brands are falling foul of the power of the public and digital democratisation. They are failing to recognise that the world is a different place than it was before globalisation and widespread Internet access, and that personal views played out in the public arena can cause irreparable damage to brands. They are also failing to learn from others’ mistakes. One of the most famous cases of verbal recklessness actually coined a phrase for CEO gaffes, ‘doing a Ratner’.

Gerald Ratner, formerly Chief Executive of the major British jewellery company Ratners Group, achieved notoriety after making a speech in which he jokingly denigrated the company’s products, causing the brand’s near collapse in 1991. Addressing members of the Institute of Directors in London, he said, “We also do cut-glass sherry decanters complete with six glasses on a silver-plated tray that your butler can serve you drinks on, all for £4.95. People say, ‘How can you sell this for such a low price?’ I say, because it’s total crap.”

That one speech wiped £500 million from Ratners’ market value and no amount of apologising made a difference to consumers, who felt let down, even if it was meant as a joke.

Brands and their spokespeople should understand that there are some topics that they should avoid, and that good planning and corporate governance should provide the framework to ensure they know what to say, when to say it and who is able to say it. This doesn’t mean brands will be impervious to gaffes but it should enable them to minimise the risk and prepare well for any eventuality.

Many companies make the mistake of avoiding the issue once they have made an apology and subsequent changes, because they prefer not to have the topic raised again. However, publicly reporting substantiated facts about changes that have been made so far will ensure that consumers really believe that the company has been honest, was sincere in its apology, and has changed its behaviour accordingly.

Will a video apology persuade Guido Barilla’s critics that all is well in the pasta world? I doubt it; there is probably a great deal more that Barilla will need to do to assuage the publics’ ire. You could say that, so far, the handling of the affair is a little undercooked rather than al dente.

Contact Jonathan Macpherson at jonathan.macpherson@hkstrategies.com

PR Account Manager, Sarah Jacotine

Name: Sarah Jacotine

Age: 28

From: Norwich, Norfolk

Current job title: Account Manager, Aziza Communications

When did you arrive in the UAE? July 22, 2013

Where did you work prior? I worked in comms and PR in the public sector back in the UK.  Before that I was a freelance journalist and edited various business titles. I find that it helps immensely when you have worked on both sides of the fence… I understand when a journalist needs something ‘now’, it means yesterday.

Had you been to Dubai before accepting your new role? Yes, I holidayed here in 2009 and 2010. I thought at the time that I could see myself living here, very happily. The beach, the sunshine, the skyscrapers… I was a fan long before I made the leap and became an expat.

What are your first impressions of the media industry in the Middle East? It’s growing, adapting and has fully embraced social media. It still places a great deal of stock in print media though, certainly more than Europe, which I like.

Tell us about your new role… I work with a dynamic team to create and execute strategies for our clients, which include media pitches, events, and buzz-building social media campaigns. Primarily, I oversee all of our accounts and manage our relationships with clients.

What challenges are you facing? The eternal PR struggle of balancing on that fine line of being tough but likeable and being all things to all people, while still having time for strategic planning and minor necessities like eating!

How do you plan to make your mark? By giving the best service I can to our clients to help them realise their ambitions and gain fantastic exposure.

What’s the most rewarding part of your job? We immerse ourselves in our clients’ businesses, so a win for them always feels like a win for us. I love that I can be creative and an integral component of other people’s success.

What’s the most exciting thing to happen so far? Meeting our clients straightaway and jumping straight into work has been pretty exciting. So far I’m finding that nearly every day is exciting in some way or another because each one is so different and I’m working across such a variety of industries. No one could ever accuse PR of being dull.

What do you think of the quality of media publications in the region? There’s a huge mix, so obviously the quality varies but on the whole I’m impressed. I love that the industry is doing so well in contrast with the UK and I love the diversity. There really is a magazine for every taste and  interest.

What sets you apart from other PRs? Ask me again in 12 months…

Work calls via landline, mobile or both? I’m always contactable via mobile or landline, plus email, Whatsapp, Skype… the list goes on. I prefer email to begin with so that I can offer my full attention to any request, but I’m happy to jump on a request any way it comes through to me.

Describe yourself in five words… Optimistic, opinionated, adventurous, adaptable, honest.

What’s your most overused saying? Lately, “Don’t forget to stop off at duty free on your way back” – to my husband, who travels a lot for work.

Five things you can’t live without? My iPhone, HBO, Wagamama, holidays to far flung places and coffee – of course.

If you weren’t a PR, what would you be? A travel writer.

 

Diners Club Magazine to launch in UAE

Diners Club International is to launch a print version of its luxury travel magazine in the UAE this December. Diners Club Magazine will have a 15,000 print run and will be directly mailed to its high-net-worth members across the UAE.

“We’re extremely excited about the launch of Diners Club Magazine,” says magazine publisher, Hanif Saddiq. “Diners Club Magazine will be published quarterly and will cover luxury living, travel, fashion and lifestyle.”

For editorial and sales enquiries, contact hanif.saddiq@cre8network.com

Zaina Shihabi resigns from Mother, Baby & Child

Zaina Shihabi has resigned from her position as Editor of Mother, Baby & Child Magazine, a publication run by CPI Media Group. Zaina has relocated to the UK to pursue her master’s degree but will continue to work on the title until her replacement has been appointed.

“I have enjoyed every minute of my time spent on Mother, Baby & Child Magazine,” says Zaina. “It was a difficult decision to make, but I have followed my heart and am looking forward to continuing my education at Liverpool Hope University. I would like to thank all those who have supported the title since launch and I hope this support is passed to the new Editor when the position is filled.”

Anyone interested in applying for the position can email: editormbc@cpimediagroup.com

AllDetails Middle East welcomes new PR Executive

AllDetails Middle East has appointed Hania Allahham as Public Relations Account Executive. Hania will join the team to develop and strengthen the public relations activities for luxury hospitality clients such as Corinthia Hotels, Baros Maldives, Le Gray, Wilderness Collection among others, as well as high end lifestyle and beauty brands.

“I am really looking forward to joining AllDetails’ vibrant team and I’m excited to work with such prestigious clients,” says Hania.