Generation 3D

Dominic Wright, Business Development Director of Generation 3D Printing, tells Team TMN more about the new printing consultancy and how they hope to inspire more creativity in marketing… 

Tell us a bit about Generation 3D…
We are a 3D printing consultancy. We design and create 3D printed models and unique objects, using the most innovative technology coupled with talented designers to create products that have a real wow factor. We were born out of the F1 industry in the UK, 3D printing parts for the cars and now we want to bring large-scale 3D printing to the Middle East.

Are you the first 3D printing company operating in the UAE?
We aren’t the first to set up, however to our knowledge we are the only company working on the scale that we are and in the markets we are looking to work in. We are looking to work on large-scale creative projects and instillations, as this is where our large printers and experienced creative team add the most value.


Did you face any challenges in establishing Generation 3D in Dubai?
In a word, yes. The 3D printing market is extremely young here, making it very exciting to work in, but also challenging. There aren’t yet the support networks in place for larger scale printing, which has meant at times we have had to carry that burden. For instance – my business partner and I had to manage the operation of forklifting our 700kg printer through a second story window entirely by ourselves. Thankfully that went to plan!

In a nutshell, how does the 3D printing process work?
It uses a 3D CAD image from the computer, then slices that file into thousands of layers. A printer then builds up a solid object from that image. It lays down a very thin layer of material (usually around 0.1mm), then another layer of color ink and binder (glue essentially). The printer then goes back and forth repeating this process, layer by layer until a solid object is created.
This gives us the unique opportunity to take design constraints away from individual manufacturing or building and allows us to make one-off, unique items very quickly.

Who is Generation 3D’s target audience?
Anyone who has a creative idea or the need to make a unique object/model. Primarily we are focusing on the B2B market, working with other companies around their 3D printing needs. We work mostly with Architects, designers, developers, marketing/advertising agencies and medical industries. We feel introducing it to businesses first will help lead the way to wider adoption. Next year we will be opening an e-commerce store for the whole Middle East to enjoy!

How is Generation 3D beneficial to communications professionals?
We help people to communicate their ideas clearly. They say an image represents a thousand words, well add a few zeros and you have the impact of a 3D model that you can see, touch and explore.

Harvard Business School did a study on sales and marketing and found that a marketing stunt is 50% more successful when having something physical to interact with, and a sales pitch keeps people engaged for three times longer. We want to help all organizations wow clients or colleagues internally with the power of 3D printing, by creating something unique.

How expensive is 3D printing?
It’s much cheaper than people think. Buying a printer is costly, but to have a one off, or unique product created and made by someone like Generation 3D, it works out about one fifth of the price of normal manufacturing or having the same product made by hand. 

What does the future hold for Generation 3D?
The future is a world of opportunity for us and everyone else in 3D printing. As the awareness grows so will the uptake.

The very first 3D printed buildings are currently being tested and Dubai is set to install one in its ‘Museum of the Future’. Airplanes are installing the first 3D printed parts. We hope to be a pioneer in the world of 3D printing and help this amazing technology change the world for the better. We feel we are at the start of the next industrial revolution and it’s only a matter of time before 3D printing is disrupting all industries.

Do rebrands really work?

Following two tragic disasters in the space of six months in 2014, Malaysian Airlines has confirmed a rebrand is underway in a bid to rescue its ailing reputation. We ask, can rebrands truly be successful or are they simply seen as calculated cover ups?

“YES” says Kate Walkom, Media Executive, UM MENA

KateWalkom“How to rebrand a tragedy of this magnitude is a heavy burden to bear for Malaysian Airlines, but it is a necessary one”

Yes. If Malaysian Airlines can masterfully regain the trust and confidence of the public through due diligence, supported by visual reference to the new brand promises in the form of a well-done rebrand, this will determine future success for the company.

A brand is not just a name. It is a promise. A reassurance; A responsibility; A principle. A core set of values that are signified by a sub-conscious emotion. Unfortunately for Malaysian Airlines that subconscious is negatively charged and at the time of the incidents was only further exacerbated by poor crises management. This negative subconscious surrounding the brand is the reason a rebrand is necessary.

Delivering on the promise made is critical to any brand. Rebranding can be merely cosmetic. The core values and strategic pillars that underpin said rebrand will need to be cohesive and deliverable across the board consistently to make it successful. No airline can, or should, guarantee safety as it’s not wholly deliverable as a promise. But they can make the promise to do all they can and use tactics to reinforce this through the process of rebranding. It’s marketing 101. It’s B2B as well as B2C. It is also internal corporate structure, equipment, training and assessing key safety and security issues as part of the process of recovery. Go back to basics. Assess the market. Clever restructuring, re-positioning and a strong communications program coupled with segmented marketing and a timely refresh is all part of the process of rebuilding trust and confidence, especially in an industry like aviation.

Malaysian Airlines. Google it. The search results are not pretty. A re-think is absolutely necessary. A rebrand is part of that process. I agree that it is one way for the airline to distance itself. People may still perceive a cover up. But that is why timing is critical or it will simply be only vanilla icing to mask a bitter taste.

Rebrands are often successful. We see it every day by way of celebrity and multinationals. But at what cost? By this I don’t mean financial costs. What we have here is two consecutive and devastating tragedies with over 500+ lives lost. That is the cost. How to rebrand a tragedy of this magnitude is a heavy burden to bear for Malaysian Airlines, but it is a necessary one should they wish to continue.

The airline needs to show both accountability and responsibility in order to pay respect to the lives lost. Think of the seven stages of grieving; denial, anger, bargaining, guilt, depression, acceptance and hope. Malaysian Airlines needs to perform some thorough research and heavily weigh in how they should re-brand. Are they simply bargaining with the public through this re-brand? Or can they intuitively time the exact moment when the public is open to acceptance and hope to provide the same by way of re-brand? That is the question we are yet to have answered. The airline has the opportunity to triumph if it can promise what it delivers (and yes, the whole world is watching).

“NO” says Ross Bethall, Director of Strategy, Cicero & Bernay

 RossBethell1“The fact that a brand is made up of so much more than a visual identity means that merely changing a logo will never be sufficient.”

Plain and simple: rebranding efforts that rely on changing visual identities don’t work. And they never will work.

From a strategic perspective, a rebrand does nothing more than alter the look and feel of the brand. It does not change the substance that makes up the brand – the brand’s ‘personality.’

To illustrate my point, imagine having a work colleague you really dislike. Perhaps they are lazy, mean-spirited or have a selfish personality. If this person has a haircut and shows up to the office with a smart new wardrobe, they may look totally different, but their personality remains the same. It’s just their outward appearance that is new.

The same holds true for brands. Regardless of changes that might be made to a brand’s visual identity, it’s their personality that is the most-important aspect that needs addressing. This entails going far beyond how the organisation is presented on business cards, the side of delivery vans and even airplane tails.

One of my favourite examples of a rebrand ‘fail’ concerns the UK’s Royal Mail; the country’s national postal service. For two years, the organisation tried to change its name to ‘Consignia’ in an effort to shift perceptions away from it being just being a mail delivery company. The rebrand result involved a new logo and a new name, but the company’s poor customer service, shabby outlet interiors, increasing prices remained unchanged – negative attributes that led to a continued erosion of customer loyalty.

Make no mistake, I have worked with – and currently work with -exceptional, award-winning graphic designers who have successfully developed corporate looks for organisations, products and service. I have also seen visual identities refreshed successfully in order to breathe new life into the look and feel of the brand, with the brand personality remaining essentially unchanged. Their identity was merely updated.

Effective rebranding is a successful understanding of what constitutes a brand’s personality. It is a complex set of characteristics and emotions that come together to form a distinctive perception among customers.  This perception – the ‘brand experience’ – is an emotional connection that develops from such factors as organisational goals, culture, the uniqueness of the product or service, its relevance to customers, trust, employee behaviour, product quality and other touch points… to name just a few. The fact that a brand is made up of so much more than a visual identity means that merely changing a logo will never be sufficient. Only rebrands that cut to the core of brand personality can be successful. Visual rebrands alone cannot work.

Managing Director, CARA PR, Maria Stapleton

Name: Maria Stapleton

Age: 36 (I can’t believe I am that age!!!)

From: Ireland

Current job title: Managing Director of Cara Public Relations

When did you arrive in the UAE?
I first came to the UAE in 2006 for my husband’s job. I stayed for four years before moving back to Edinburgh as my husband was homesick – unbelievable, I know! Since then, I have been based in Edinburgh, but travel to and from Dubai for work (and to get some sun!) – the majority of my clients are based here.

Where did you work prior?
Edinburgh, Scotland. Before working in PR, I was a Journalist and actually started my career at Gulf News, before moving to the (now-defunct) titles iQ and Insider, which were part of ENG.

What were your first impressions of the media industry in the Middle East?
Because of my background in journalism, I got to know lots of people in media circles and always found the media bunch great fun to both work and socialise with. People were – and still are – very welcoming and friendly. Unlike more established media hubs there was also a really positive “can do” attitude and I always found that people were as helpful as they could possibly be to me. I count some of the journalists who are still working in the UAE as great friends.

Have these impressions changed much?
Not at all. The only difference that I think exists is that there are fewer journalists per publication. This means journalists have a lot more to get through in a working day and it can be difficult for them to get away from the office.

Tell us about your new company, CARA PR…
Cara is the Irish word for friend which is the philosophy behind the Cara brand. I want my business to be viewed as a friend that a business would look to for support to achieve success. I am passionate about what I do and have found that the best PR evolves when you are able to forge positive relationships with people – and, whether in business or personal life, a good relationship hinges on being open, honest and trustworthy. I view my clients’ businesses as my own and offer a professional service that has a uniquely personal feel.

What challenges do you face?
My biggest challenge is the same as that of every working mother I know –balancing home and working life, without feeling any degree of guilt.

What’s the most rewarding part of your job?
There are two. When I see my clients’ businesses grow and when they are offered fantastic opportunities that really excite them. Getting interest from prospective clients through the recommendation of an existing client is also highly rewarding, as that proves to me that my client really values what I am doing for them and that they are happy.

What’s the most exciting thing to happen so far?
There have been lots. Recently, Pastels Salon was the official salon partner for Fashion Forward and that was fantastic!

What do you think of the quality of media publications in the region?
When I first came to Dubai, there were lots of publications and you could find one dedicated to practically any subject. Since then the industry has become more streamlined, which is definitely a positive step. Now the UAE’s media industry is becoming a well-respected entity globally, with journalists coming from international publications to work here and journalists from the UAE securing sought-after jobs in other countries.

What sets you apart from other media professionals?
I think it is my personal approach. Although I have been out of Ireland for more than half my life, I definitely think I retain my home country’s way of dealing with people!

 

 

 

 

Work calls via landline, mobile or both?

Whatever is easiest for whomever is trying to reach me, and whichever means I will get the client something that they want – whether that’s securing coverage or another opportunity for them.

 

What’s your most overused saying?

Leave it to me. 

Five things you can’t live without?

My phone (for emails, music, skype and pictures!) pen, paper (despite technology, I write everything down!) pain au chocolat and a well-made latte.

If you weren’t with CARA PR, what would you be doing?

I would like to think that I would be doing something in the Arts such as writing or acting, but I would probably be a teacher because it pays the bills and would give me lots of time off to indulge my creative side!

Loubna Elfakri joins Aziza Communications

Luxury lifestyle PR agency Aziza Communications has appointed Loubna Elfakri as Account Director. Having worked as in-house Communications Manager for fashion label Rami Al Ali for the past four years, Loubna brings with her an abundance of experience in the field of fashion communication and brand building. At Aziza Communications, Loubna will be responsible for PR strategy and overseeing key client accounts across the region.

“Having worked closely with Loubna over the past four years, we developed a great working relationship and she has long been considered part of our team,” says Jill Downie, Managing Director, Aziza Communications. “As a fashion-focused PR agency, a fully rounded understanding of the industry was essential for this role and with Loubna’s experience spanning everything from buyer relations and production to celebrity dressing and fashion show coordination, we are now able to offer a full consultancy service, on top of an excellent PR and digital package.”

Loubna adds, “As a client, Aziza Communications always impressed me with their detailed knowledge of the fashion industry and their dedication to the brand. It’s a beautiful opportunity that arose and I’m excited to contribute to the growth of the company and make a positive impact on our client’s brands.”

FlipFlop Media welcomes Junaid Rafique

FlipFlop Media has welcomed Junaid Rafique to the role of Director. Having previously worked as Senior Manager for BGreen magazine where he was responsible for overseeing all aspects of the publication and events related to sustainability, Junaid brings 15 years of media experience to his new role. As Director, he will be using his existing contacts to help generate growth across business lines, as well as helping with ideas and strategy, with a specific focus on Future Cities magazine.

“I’m thrilled to be joining FlipFlop Media,” says Junaid. “Future Cities is an exciting project with huge potential as it holistically covers key elements of a city that enable it to function most effectively. Healthy, well-planned and sustainable cities define the success of states.”

Solo Zone Design launches

Ahmed Krounz has launched Solo Zone Design in Dubai. The agency will provide consulting, brand communication and visual design services including production when required, working within IT, banking, food and beverage, retail and hospitality industries. Ahmed Krounz will be working as Art Director, as well as Founder, for the company, bringing with him over 12 years of experience in media, where he has worked across clients such as Dubai Silicon Oasis, DIFC and Etihad Airways. Solo Zone Design is now open in Dubai Technology Entrepreneur Centre (DTEC), located in Dubai Silicon Oasis.

“My previous experience working with international agencies has formed the mentality I’ve taken with creating Solo Zone Design,” says Ahmed. “Yes, we’re a small agency, but we’re equipped with a quality of invention and execution for which you’d usually have to pay top dollar. Our size affords us a competitive edge and a flexibility not available to others in the market with whom we aim to compete.”

Ketaki Banga promoted at BPG Cohn & Wolfe

Ketaki Banga has been promoted to the role of Business Director at BPG Cohn & Wolfe. Already leading the corporate, technology and social media teams, Ketaki will now also be responsible for new business for the agency.

“Despite the slowdown there is opportunity, especially in a profession like PR which has evolved to include a far more integrated set of services,” says Ketaki. “There is also a growing awareness of the importance of strategy in the market, as well as an appreciation for the infrastructure and talent that an international agency like ours can bring to the table. I also have to add that I have two very supportive bosses (CEO Nitin Puri and General Manager Kevin Hasler) who just let me get on with things. I’m looking forward to the new role.”