Should internships be paid?

After a number of the world’s leading publishing houses – including Condé Nast – scraped their internship programmes effective from January 2014 due to controversy over minimum wage debates, we ask, should interns be paid?

“No” Says Sarah Joan Ross, Style Director, Emirates Woman Group  

sarahjr

“The payment an intern receives is in the whole experience, the body of work created and the expansion of their Rolodex”

An internship is a very valuable experience, gained usually in a highly competitive industry. In the short term, it can help graduates decide upon the correct career path for them, offer an insight into specific roles, generate contacts and also provide a portfolio of work to make the intern more employable in the future. In the publishing industry it is the norm to follow this path and it can usually result in the exciting and often elusive first job offer.

The payment an intern receives is in the whole experience, the body of work created and the expansion of their Rolodex. However, I don’t think people should be exploited – and the work experience should have a time limit and be beneficial to the individual. An intern is not there to fill the role of a paid employee, and the responsibilities and pressure should be managed. It is often more work for the company who employs an intern, as desk hours are dedicated to nurture the intern’s ideas and guide them in the working practice of the industry.

It should be considered as a further education tool to prepare young people in the skills needed for the real working world outside of the classroom. If a ban on unpaid internships were introduced it would be a disservice to the graduates of tomorrow, who gain an insider edge and wealth of experience in the short time they are with a company.

 

“Yes” says Sudeshna Ghosh, Editor, BBC Good Food Middle East

sudeshna

“If an intern is essentially performing the role of a staffer, it naturally suggests they should be compensated”

I think the controversy surrounding the paid/unpaid nature of internships arises from the broad base of work experience that the term ‘internship’ covers – from week-long shadowing exercises to valuable contributions to a media product that can last months. Not all internships are created equal, and therefore, there is no one-size-fits-all rule that applies to them.

As with most things, it depends on each individual involved – some interns are faster learners and have a natural talent that lead them to contribute valuably to the media product they are associated with, sooner than others. In these cases, if an intern is essentially performing the role of a staffer, it naturally suggests they should be compensated. For example, if an intern is performing work, which in some cases can be directly linked to commercial gains for the company (writing advertorials etc., for instance), the question of compensation is justified. Also, if the intern is having to bear expenses on the job, then some sort of payment is essential.

However, if an intern is essentially getting the opportunity to ‘learn on the job’ within a limited and pre-agreed time frame – as part of their training course – which culminates in a reference letter, a reputable brand name added to their resume, and networking opportunities, then non-payment or an expenses-only arrangement is acceptable (on no account should a young student be expected to bear work-related expenses out of pocket).

But all too often, young professionals, eager to work with a media brand they have long adored, continue to work for an indefinite periods, and in these cases they should most definitely be paid industry standard entry-level salaries. It is down to having terms clearly agreed upon before starting the internship, and in my opinion, should be moderated by the education institute the student is from. An internship can be a learning experience for only a certain amount of time – which is why they should be limited period only. Over time, anyone of average intelligence can master certain tasks and usually learns whatever they can in that position, and if they continue to perform those jobs well (which are often ones no one else wants to do), then it ceases to be an internship and becomes a junior staff role. It is this fine line that one needs to be conscious of, particularly when the term ‘intern’ is used so loosely, when debating this question.

Joernals tech website relaunches

Joernals, the technology and multimedia website aimed at consumer electronic customers in the region has been newly relaunched. The website was originally launched by Joe Akkawi in 2012, and after a brief break – and sleek redesign – Joernals is back. The website has now expanded to include coverage of mobile applications, gadgets, tech events, social media and software launches.

“Dubai has become a hotbed for global tech knowledge,” says Joe, a pundit for Sky News Arabia. “I’m committed to helping consumers buy the right products in any way I can.”

 

Priyanka Pradhan joins Sorbet Magazine

Priyanka Pradhan is to join Sorbet Magazine as Features Editor commencing next week. Formerly Assistant Editor of T Emirates: The New York Times Style Magazine, and journalist at Bloomberg Businessweek Middle East, Priyanka has worked in various roles with a background in fashion and lifestyle in Mumbai as well as Dubai.

“I love the concept behind the magazine and I’m excited to explore the mélange of fashion, art, travel and culture through Sorbet‘s unique perspective,” says Priyanka. “I will be starting work immediately on the Spring issue when I join next week.”

Michaela Williams joins Good Housekeeping team

Michaela Williams has joined the Good Housekeeping Middle East team as Deputy Editor. Formerly Hotels Editor for QANTAS The Australian Way magazine, Editor of beauty blog Lather Rinse Repeat and Online Beauty Contributor for Cosmopolitan Australia, Michaela takes over the role from Yi-Hwa Hanna, who recently moved across to Women’s Health Middle East.

Michaela will be working across beauty, fashion, home, health and lifestyle pages and can be contacted at michaela.williams@itp.com / 04 444 3000

Grayling appoints Julio Romo to lead Digital Hub

Communications firm Grayling announced today the appointment of Julio Romo as Head of Digital within Grayling’s Middle East and Turkey operations. The hire is part of a series of initiatives that are underway to spur Grayling’s development as a digitally-enabled, global public relations consultancy with insights, ideas and rapid access to multi-channel solutions.

Romo brings over 15 years’ consultancy experience delivering insight, consultancy and training to clients operating in a range of sectors in markets around the world. His past clients have ranged from The Diamond Trading Company and the Organisation for Security and Cooperation in Europe (OSCE) to the King Abdullah University of Science & Technology (KAUST) and Abu Dhabi Tourism and Culture Authority. Romo will be based in Grayling’s Dubai office and will report to Loretta Ahmed CEO of Middle East, Turkey and Africa. In the newly created position, Romo will lead a team of digital media and creative design and production consultants that will bring fresh and dynamic campaigns to clients from across the region, breaking the mould in their digital media engagement strategies.

“Julio is a pioneering leader in the field of digital and his appointment represents a strategic move for Grayling,” say Loretta Ahmed, Grayling Middle East, Turkey and Africa CEO. “We are witnessing a huge surge in demands for digital PR and marketing activities amongst our Middle East client base. Building digital and investing further in the skills and expertise of our consultants is a core part of our development strategy in this region.”

Chris Newbould joins The National

Chris Newbould has been appointed as Film Correspondent for The National’s Arts & Life section, covering regional and international festivals, the Middle Eastern film industry and all the latest Hollywood, Bollywood and international releases. Previously Editor of Digital Studio Middle East, Chris has covered TV, film and music writing in the UK for The Guardian’s City Life and Weekend Guide.

“Having covered the regional film industry for Digital Studio since 2010, I hope to hit the ground running in my new role,” says Chris. “There are big ambitions for film making in the Middle East at the moment, particularly in the UAE. I’m looking forward to building on the relationships I already have, as well as expanding my remit both locally and internationally, for one of the region’s most respected publications.”

New Account Executive at FleishmanHillard

Tina Carter has joined FleishmanHillard as Account Executive. Tina will be responsible for supporting the team with media relations, events, messaging and placements for a growing list of clients.

“I’m excited to be working at a company that’s charting its own course in the region,” says Tina. “Working with such a forward-thinking team is motivating, and I look forward to getting into the thick of campaigns, and delivering the best for our clients across the GCC.”